Haunting pebbles
DOI:
https://doi.org/10.15664/jtr.1637Keywords:
Land art, Hauntology, Migrations, Face, Creative IRAbstract
With the land art performance Haunting pebbles, I wanted to denounce the violence of border crossing in eastern Europe through the lens of hauntology. The use of an artistic performance allowed me to work on time that is passing by. This moment was the waiting for the revenant: both a spectre and the coming-back movement of a spectre — all linked to death, sea and institutional violence.Downloads
Published
2022-09-22
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Section
Openings
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